Heath Ledger - Wikipedia
An Archive of Our Own, a project of the Organization for Transformative Works. When hunky, twenty-year-old heart-throb Heath Ledger first came to the attention of the public in And if I want to swim naked in my pool, I'm still going to do it. A Heath Ledger timeline, from his birth as Heathcliff Andrew Ledger in Perth, He stars in the Fox drama, Roar, and begins dating co-star Lisa Zane. And if I want to swim naked in my pool, I'm still going to do it.
He is also their singer and — though he has traditionally written songs on, and played, the piano — their guitarist. Part of the confusion about the group derives from the fact that although the other three members — Martyn Casey, Warren Ellis and Jim Sclavunos — have diverse and impressive musical credentials independently, they are also all members of the band Cave continues to lead, Nick Cave and the Bad Seeds.
These particular musicians first played as a quartet at a hastily arranged private show for the media to promote the Bad Seeds' album, Nocturama, and in recent years this has been the line-up onstage when Cave has played what are billed as 'solo' shows. Over time, these — which started out as evenings with Nick Cave playing at the piano, tastefully augmented by a few musicians — have become increasingly boisterous and sonically adventurous.
It was on such a solo tour that the idea of what would become Grinderman was first discussed. They were in Croatia.
Cave and Ellis had gone to the zoo together. Related Articles 13 Sep 'We quite often go out,' Ellis says. Their interviewer is a young man called Tom from the Sussex University newspaper, who approached Cave one day in a Brighton taxi queue.
I sit nearby and listen as Cave declares himself 'preoccupied about the amount of information we have about our heroes, so much so that they can't be our heroes.
They can't live in that other stratosphere. And rock stars are complicit. Nor how, with the intonation Cave applies to this single newfangled syllable, he seems to paint clearly a vision of two very different paths down which the human race can choose to go: Tom from Brighton mentions that the first proper Grinderman single — a howl of frustrated libido called, with unapologetic though radio-unfriendly clarity, No Pussy Blues — has been dubbed 'sexy' and wonders… Cave steps in to finish his question and supply an answer.
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But it is…' A while later, Tom floats the notion that Cave finds beauty 'in darkness and death'. Cave, who will turn 50 in September, further offers — and perhaps it is the kind of observation that he might not share with the many of this week's more seasoned and irritating questioners, but which makes sense to explain to someone so young, interested, and evidently sincere — a reason why these days he feels freer in what he does.
Even when all four of them are present, Cave talks the most in interviews, but this is partly because people — myself included — ask him more questions. And also because he is the singer, and the lyricist, and the most famous. Beyond that, his answers are always the more likely to be quoted because he has a certain way with words.
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But the four of them wrote the album together, and he clearly relishes being in a group where he need not take all of the responsibility — and perhaps also all the credit or blame. Warren Ellis, the youngest he is 42also leads the celebrated instrumental trio the Dirty Three, and with Cave has co-written film soundtracks including The Proposition, the recent Australian western for which Cave wrote the script and music for theatrical productions.
He is best known for playing violin, but in Grinderman plays a wide selection of instruments and loops. Martyn Casey, the bass player, previously played in the Australian group the Triffids whose albums are currently being re-released one by one. The quietest member of Grinderman when a microphone is around, he first joined the Bad Seeds ina couple of months after taking a job pumping gas at a service station in Fremantle, Western Australia. Jim Sclavunos, Grinderman's 6ft 7in American drummer, was the last to join the Bad Seeds, in the mid- s, initially as a percussionist, but he met Cave back in the early s, when Sclavunos was playing in a band called Teenage Jesus and the Jerks.
Since then he has passed through a stream of influential bands including Sonic Youth and the Cramps, has produced others most recently the Horrors and has his own band, the Vanity Set. It would be wrong to suggest that Grinderman greet this week's promotional duties unwillingly. For one thing, this is a record in which they all transparently take great pride, and they realise the practical necessity of these encounters. As Cave puts it, Grinderman is 'a fragile thing, and it needs to be looked after'.
There is a tendency for a record like this, involving someone like Cave, to be patronisingly praised and then dismissed with the dreaded words 'side project', and this week they are discovering plenty of other frustrating ways in which Grinderman can be misinterpreted.
I wonder whether there isn't a further, more fundamental frustration lurking behind their reaction to this week: That, while they will do what they can to reach the audience they feel they deserve, they are men who know what they are doing and require no reassurance about its worth from a contemporary pop culture world in which nearly everyone aspires to a kind of prolonged, numb, lazy adolescence.
I suspect that Cave in particular holds himself to, and considers himself to be some way to meeting, rather higher and more enduring standards than are used to judge the current mess of pop culture as it arrives then passes by. I mention this not in any way to smear Cave and Grinderman as arrogant and conceited but because it might be useful to consider, as I watch them tip-toeing their way to the end of Friday with a mixture of bluntness, humour, intolerance and grace, whether such belief — were it theirs — might well be justified.
The interviewer is to be Radio 1's Zane Lowe, who is presented by the station as the current custodian of the kind of slightly cooler and edgier music that is given full rein after sundown. In what might be called indie-rock circles, no contemporary DJ is more famous. Nick Cave clearly walks in other circles. The band sit around a pub table as directed. In front of them are pints of beer.
Lowe asks them what other drinks they would like. Cave — who put alcohol and narcotics behind him many years ago — suggests tea. Someone mentions that The Culture Show is looking for 'a relaxed feeling'.
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The alcohol is removed. He looks a little deflated that Cave really doesn't seem to know who he is. Lowe adopts the kind of chummy we're-all-in-this-wild-weird-and-wonderful-rock-lark-together tone that passes for much middlebrow cultural discussion in the British media today.
It also emerges that Lowe has a particular take on Grinderman — as a kind of impulsive, spontaneous, primal rush of rock'n'roll energy — that is some distance from Grinderman's own.
These days, nearly every radio and TV interview takes its model from the chat show; interview subjects tend to play along with whatever daftness or misinterpretations they face, acknowledging that the encounter itself is supposed to be the entertainment. While there is a kind of badinage that suits Grinderman, it is not this kind. One further mistake with Nick Cave is maybe to think that a man whose more youthful behaviour appeared so violent and reckless is consequently not deeply serious.
Whereas, for all his rough humour, he very much is — and, I suspect, like many people who resort to violence and recklessness — always was. This interview will conclude, after many difficult exchanges, with Zane Lowe explaining, in a way that seems quite heartfelt and genuine, how much he loves Grinderman's album, and saying that he doesn't mind them giving him hell, but that he is 'desperate to get seven minutes of useful footage for The Culture Show.
Here, by contrast, are some of the more illuminating stumbles. It's not something we dashed off. The lyrics are hugely considered. He declares, 'I hear a little Ziggy Stardust. Olsen, who was in Californiadirected a New York City private security guard to go to the scene.
Olsen", Wolozin telephoned "to say that Mr. Ledger was not breathing". At the urging of the operator, Wolozin administered CPRwhich was unsuccessful in reviving him. Olsen" but were also unable to revive him.
Heath Ledger died as the result of acute intoxication by the combined effects of oxycodonehydrocodonediazepamtemazepamalprazolam and doxylamine.
Jason Payne-James, a forensic pathologist, has believed that Ledger might have survived if hydrocodone and oxycodone had been left out of the combination of drugs that the actor took just prior to his death. Miller] to be interviewed by federal investigators probing the accidental drug death of her close friend Heath Ledger He claimed that this was partially a result of the "shock and confusion" surrounding the circumstances of Ledger's death, as well as due to Ledger's "legacy [ He added, "They will be taken care of and that's how Heath would want it to be".
Our family has gifted everything to Matilda. Singer Tom Meighan often changes the word "Joker" to either "Ledger", or the names of recently deceased celebrities. On 1 February, in her first public statement after Ledger's death, Michelle Williams expressed her heartbreak and described Ledger's spirit as surviving in their daughter. For the opening of the theatre, Ledger's Academy Award for Best Supporting Actor was on display in the theatre's foyer along with his Joker costume. It was a three-day wake.
And they grab a believer and they go, 'Bwoom! I touch you with the hand of God! And fuck's sake, that's the power of belief Now, I don't believe in Jesus, but I believe in my performance.
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And if you can understand that the power of belief is one of the great tools of our time and that a lot of acting comes from it, you can do anything. He also reflected on his inability to be happy with his work, "I feel the same thing about everything I do.
The day I say, 'It's good' is the day I should start doing something else. Directors who have worked with the actor praised him for his creativityseriousness and intuition. Drawing on the similar characteristics between the actors, Haynes further highlighted Ledger's "precocious seriousness" and intuition.
He also felt that Ledger had a rare maturity beyond his years. I mean, there's no such thing as perfection in what [actors] do. Pornos are more perfect than we are, because they're actually fucking.